WL//WH Weekly Electronic Music Tips

•  No Sound Wave #28: RON MORELLI 
  

Pioneer New York‘s L.I.E.S. Records head honcho Ron Morelli, with a cultured, flawless and instinctive set of House, Techno and New Beat excursions.

• Mexico City-based indie dance /trance /psych /acid house Argentinian alien DJ-producer, Thomass Jackson “JST” from V/A “Hybrid Colony Vol. 3” EP [Sonido Moderna]

Latino sound magician smoothly fuses raw, bouncy funky grooves and acidic, tripped-out hypnosis through a dense, crisp percussive heft, sultry elastic bass pulses and underlying buzzing synth tones that wiggle, intersect, and occasionally clatteringly flare and jarringly reverberate into the forefront with magnetic low-key voice suggestions, obsessively repeating “not too late.”

• London-based acid /bass /techno /electro DJ-producer and Hedplace Synthetics, Inc. co-head, Tom Place “Tunnel Vision” from “Lost You” EP [Crazed Behaviour]

London producer’s off-kilter bass-heavy electro new cut rolls out a trembly, droning driving bass tension, joined by steady, crisp skeletal beats, and squelchy acid squiggles, occasionally topped by obsessive fuzzy monochromatic “Tunnel Vision” vocal clips and high melancholic synth drifts, to expand and contract with eerie glaring intensity through a push-and-pull of rapid and slow, smooth and rough momentums.

• Eora/Sydney ambient /organic /nature /tribal /experimental /psychedelic /deep techno artist Joshua Deering, aka Amuwa “Hyperfixated” from “Variance Model” EP [Pure Space]

Young Aussie producer explores the outer edges of deep techno, unfolding, as a carefully crafted introspective journey, through a relentless bouncy trot of crisp rippling and echoing percussive energy, woven with expansive rolling bass tension, layered with a primal, murky and resonant array of low gurgling and high fluttering FXs, to conjure a sense of urgency and mysticism that steadily reinvigorates the momentum.